(1) Butler, Judith. "Feminism and the Subversion of Identity," Feminist Theory: A Reader. (Mountainview: Mayfield Publishing, 2000), pg 472

(2) Raley, Rita. "Reveal Codes: Hypertext and Performance." http://muse.jhu.edu/journals/pmc/v012/12.1raley.html

(3)Oliveros, Pauline. Four Meditations for Orchestra. http://www.deeplistening.org/dlc/po-scores/Four_Meditations_new.pdf

(4) Cardew, Cornelius. Treatise Handbook. England: Hinrichsen, 1974.pg XVI

(5) Cardew, Cornelius. Treatise Handbook. England: Hinrichsen, 1974.pg XX

(6)Nyman, Michael. Experimental Music: Cage and Beyond. New York: Cambridge UP, 1999. pg 24

(7) Lyotard, Jean-Francois. The Postmodern Condition: A Report on Knowledge. UMN Press 1979. pg. 81

(8) Aarseth, Espen. Cybertext: Perspectives on Ergodic Literature. Johns Hopkins Univ Pr, 1997.

(9) Lyotard, pg 81.

(10) Interview with Kim Cascone - http://www.ctheory.net/text_file.asp?pick=322