What is sound? At a moment when modes of sonic representation and transmission bring into earshot sound from previously unheard realms—the deep sea, the inside of the head, outer space; when new technologies make it possible to conjoin hearing and deaf worlds through a common currency of vibration; and when techniques of “sonification” render audible nonsonic material and information (sun spots, climatechange data, nineteenthcentury visual tracings of vibration patterns)— the definition of “sound” has expanded to access worlds previously inaudible, even unimagined. Thinking through recent technologies of transduction, eduction, and sonfication, this talk asks how we should conceptualize sound — as object? as event? as waves in oceans of media?
November is National Writing Month (NaNoWriMo), and so in celebration Transcriptions is hosting a panel of English and Writing faculty to discuss public (online) cultures of writing on Thursday, November 12th at 4p in South Hall 2509 (The Transcriptions Research Center).
Our panelists include Linda Alder-Kassner, Karen Lunsford, and Madeleine Sorapure.
A sample of the questions we will consider are:
How might NaNoWriMo written production be studied? How is the genre of the manuscript-as-novel coordinated through websites and writing groups? How does the 50,000 words goal, encouraged by the medium, engage with discussions on what constitutes “novel-sized”? Bring your own questions and ideas to this community research conversation on the topic of prospective research in areas at the intersection of writing studies and literary studies, with NaNoWriMo as a timely example.
What are the most frequently read books by academics in the United States in 2015? What are the historical, temporal, and geographic peaks and valleys in reading surrounding certain books or literary collections? What books are largely read for studies on, say, “Twentieth-Century American Literature?” What books do we read under times of national stress, such as post-September 11th? The assumption since the canon wars ended in the 1990s is that our canon is more inclusive, more progressive, more expansive in what it deems as literary value. How would quantitative analysis respond to such an assumption?
Please join us for the first Transcriptions lecture of the year — Epistophilia Beyond Technophobia: Letter Writing as (Criticism of) New Media Critique. The lecture will be held on Friday, Oct 9 at 12 pm in South Hall 2635
The Transcriptions 2015 Kick-Off Reception will be held on Thursday Oct 1 2:00 pm in South Hall 2509. Please come if you are interested in media, digital humanities, learning about the center, meeting new friends, and/or enjoying snacks and refreshments!
We are thrilled to announce our #SyncDH schedule for Friday, May 8th. The slam will run from 2p-6:15 in South Hall 2607, 2623, 2635 (CRC, Sankey Room, conference room). Please see our SyncDH Flyer for the full schedule.
SyncDH: the 8th Annual Transcriptions Research Slam
CALL FOR PARTICIPANTS
Co-Organized by Ashley Champagne and Jeremy Douglass
Fri May 8th 2015 — online and on-ground at UC Santa Barbara
SyncDH is a research slam organized around topics in the digital humanities, media arts, information culture, and technology & society. It combines a “research slam” (with projects showcased in a simultaneous, poster-session style) with a schedule of featured presentations showcased on a live video conference.
Posted in Events
Tagged with: SyncDH
4Humanities.org announces its Shout Out For the Humanities student prize contest. Prizes are offered for best undergraduate (1st prize: US $1,000 – 2nd: $700 – 3rd: $300) and best graduate student (1st prize: US $1,000 – 2nd: $700 – 3rd: $300) submissions by students from any nation, working individually or in teams, that speak up for the value of the humanities in today’s society.
Come to a film screening of Swerve,
a locally produced post-apocalyptic film in ten chapters!
Danielewski’s The Familiar is the first of a twenty-seven volume new serial novel. The Familiar is textually innovative, using multiple fonts and colored text, and intervenes in conversations on social media, the Internet, modernity, and postmodernity. The work also includes a mix of many voices, genres, page layouts and typographic styles, including illustrations, cartoons, and photography.