Donna Haraway's "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century"

 

Contexts of the Writing and Advice for your Reading "A Cyborg Manifesto"
I: Feminism: This essay is a response to those feminists (like Catherine A. MacKinnon) who sought, throughout the 70s and 80s, to define what woman truly is. If the identity of woman could be defined, then a ground of collective political action might be secured. We now call this project of self-definition, "identity politics." As part of a group of bay areas radical feminists, Haraway experienced the way any effort to define the essence of any particular racial, gender, class, or ethnic group becomes problematic: it requires excluding some, and including others; it provokes accusations of political impurity and dubious genealogies; it leads to fights for the higher, more righteous ground of political truth. The "ironic political myth" of the cyborg--the proposition that we are all hybrids--offers a way to give up the effort to define the "real nature of women" or of any person, animal or thing.

II: Science: When she wrote this manifesto, Haraway was also developing a feminist critique of the gender bias in science, most especially that part of biology that studies monkeys (simians). Her project critiques the numberless ways those human scientists who study monkeys struggle to sustain the difference between "man" and "animals." However, the more we discover about men and monkeys, the more problematic it becomes to define the difference as an essential one. But note: although Haraway critiques traditional science, she is a rational defender of the intellectual cogency of science and technology; she is implicitly at war with fuzzy, anti-technology new age spiritualism.

III: Politics: "A Cyborg Manifesto" was conceived and written this during the early years of the Reagan era, when Reagan sought to reverse some of the central positions of the 1960s (peace with the USSR, sexual liberation, abortion rights, environmental protection, antipoverty programs, etc.) As a leftist socialist feminist, Donna Haraway felt the need to recognize the dangers of the new aggressiveness of the right, at the same time that she offered an alternative concept (the cyborg) which would allow her to jetison the concept of identity and imagine new forms of political action.
IV: Manifesto: A manifesto is a call to action, a verbal slap in the face, an effort to use language to make things happen. Haraway's essay seeks to reorient the way we humans view themselves by offering a witty and outrageously sweeping reinterpretation of the (post-) modern world.
Outline of "A Cyborg Manifesto"
Bibliography: for a readable background article on Dona Haraway, see Wired Magazine,Feb. '97, "You are Cyborg", by Hari Kunzru

 

Key passages for discussion
I've focused upon passages that seem most useful for our study of cyborg culture. (pages are from Haraway text as reproduced in our Reader)

The cyborg myth as an antidote to the primary Western myths
This chapter is an effort to build an ironic political myth faithful to feminism, socialism, and materialism. ...Irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true. Irony is about humour and serious play. It is also a rhetorical strategy and a political method, one I would like to see more honoured within socialist-feminism. At the centre of my ironic faith, my blasphemy, is the image of the cyborg. ...A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. (149)

By the late twentieth century, our time, a mythic time, we are all chimeras, theorized and fabricated hybrids of machine and organism; in short, we are cyborgs. Ths cyborg is our ontology; it gives us our politics. The cyborg is a condensed image of both imagination and material reality, the two joined centres structuring any possibility of historical transformation. In the traditions of 'Western' science and politics--the tradition of racist, male-dominant capitalism; the tradition of progress; the tradition of the appropriation of nature as resource for the productions of culture; the tradition of reproduction of the self from the reflections of the other - the relation between organism and machine has been a border war. The stakes in the border war have been the territories of production, reproduction, and imagination. (150)

The cyborg is a creature in a post-gender world; it has no truck with bisexuality, pre-oedipal symbiosis, unalienated labour, or other seductions to organic wholeness through a final appropriation of all the powers of the parts into a higher unity. In a sense, the cyborg has no origin story in the Western sense... An origin story in the 'Western', humanist sense depends on the myth of original unity, fullness, bliss and terror, represented by the phallic mother from whom all humans must separate, the task of individual development and of history,
...[Marxist and psychoanalytic] concepts of labour and of individuation and gender formation depend on the plot of original unity out of which difference must be produced and enlisted in a drama of escalating domination of woman/nature. The cyborg skips the step of original unity, of identification with nature in the Western sense.
The cyborg is resolutely committed to partiality, irony, intimacy, and perversity. It is oppositional, utopian, and completely without innocence. (150-151)

....certain dualisms have been persistent in Western traditions; they have all been systemic to the logics and practices of domination of women, people of colour, nature, workers, animals - in short, domination of all constituted as others, whose task is to mirror the self. Chief among these troubling dualisms are self/other, mind/body, culture/nature, male/female, civilized/primitive, reality/appearance, whole/part, agent/resource, maker/ made, active/passive, right/wrong, truth/illusion, totaVpartial, God/man. The self is the One who is not dominated, who knows that by the semice of the other, the other is the one who holds the future, who knows that by the experience of domination, which gives the lie to the autonomy of the self. To be One is to be autonomous, to be powerful, to be God; but to be One is to be an illusion, and so to be involved in a dialectic of apocalypse with the other. Yet to be other is to be multiple, without clear boundary, frayed, insubstantial. One is too few, but two are too many. (177)

The erosion of opposition: man/animal; human-animal/ machine; non-physical/physical

Man/animal: By the late twentieth century in United States scientific culture, the boundary between human and animal is thoroughly breached. The last beachheads of uniqueness have been polluted if not turned into amusement parks--language, tool use, social behaviour, mental events, nothing really convincingly settles the separation of human and animal. And many people no longer feel the need for such a separation; indeed, many branches of feminist culture affirm the pleasure of connection of human and other living creatures. Movements for animal rights are not irrational denials of human uniqueness; they are a clear-sighted recognition of connection across the discredited breach of nature and culture. Biology and evolutionary theory over the last two centuries have simultaneously produced modern organisms as objects of knowledge and reduced the line between humans and animals to a faint trace re-etched in ideological struggle or professional disputes between life and social science. Within this framework, teaching modern Christian creationism should be fought as a form of child abuse. (151-152)

Animal-human/ machine: The second leaky distinction is between animal-human (organism) and machine. Pre-cybernetic machines could be haunted; there was always the spectre of the ghost in the machine. ...machines were not self-moving, self-designing, autonomous. They could not achieve man's dream, only mock it. They were not man, an author to himself, but only a caricature of that masculinist reproductive dream. To think they were otherwise was paranoid. Now we are not so sure. Late twentieth-century machines have made thoroughly ambiguous the difference between natural and artificial, mind and body, self-developing and externally designed, and many other distinctions that used to apply to organisms and machines. Our machines are disturbingly lively, and we ourselves frighteningly inert.

Non-physical and physical: The third distinction is a subset of the second: the boundary between physical and non-physical is very imprecise for us. ...Modern machines are quintessentially microelectronic devices: they are everywhere and they are invisible. Modern machinery is an irreverent upstart god, mocking the Father's ubiquity and spirituality. The silicon chip is a surface for writing; it is etched in molecular scales disturbed only by atomic noise, the ultimate interference for nuclear scores. Writing, power, and technology are old partners in Western stories of the origin of civilization, but miniaturization has changed our experience of mechanism. Miniaturization has turned out to be about power; small is not so much beautiful as pre-eminently dangerous, as in cruise missiles. ...Our best machines are made of sunshine; they are all light and clean because they are nothing but signals, electromagnetic waves, a section of a spectrum, and these machines are eminently portable, mobile -- a matter of immense human pain in Detroit and Singapore. People are nowhere near so fluid, being both material and opaque. Cyborgs are ether, quintessence. (153)

The Impossibility of Identity

Gender, race, or class consciousness is an achievement forced on us by the terrible historical experience of the contradictory social realities of patriarchy, colonialism, and capitalism. And who counts as 'us' in my own rhetoric? Which identities are available to ground such a potent political myth called 'us', and what could motivate enlistment in this collectivity? Painful fragmentation among feminists (not to mention among women) along every possible fault line has made the concept of woman elusive, an excuse for the matrix of women's dominations of each other. For me - and for many who share a similar historical location in white, professional middle-class, female, radical, North American, mid-adult bodies - the sources of a crisis in political identity are legion. The recent history for much of the US left and US feminism has been a response to this kind of crisis by endless splitting and searches for a new essential unity. (155)

From "You are Cyborg", Kari Kunzru
Being a cyborg isn't just about the freedom to construct yourself. It's about networks. Ever since Descartes announced, "I think, therefore I am," the Western world has had an unhealthy obsession with selfhood. From the individual consumer to the misunderstood loner, modern citizens are taught to think of themselves as beings who exist inside their heads and only secondarily come into contact with everything else. Draw a circle. Inside: me. Outside: the world. ...getting across that boundary, let alone to other people, becomes a real problem. Unless, that is, you're a collection of networks, constantly feeding information back and forth across the line to the millions of networks that make up your "world." ...As Haraway puts it, "Human beings are always already immersed in the world, in producing what it means to be human in relationships with each other and with objects." Human beings in the '90s show a surprising willingness to understand themselves as creatures networked together. "If you start talking to people about how they cook their dinner or what kind of language they use to describe trouble in a marriage, you're very likely to get notions of tape loops, communication breakdown, noise and signal - amazing stuff." Even while we mistake ourselves for humans, the way we talk shows that we know we're really cyborgs.

New information technology rewires us all into the integrated circuit
I argue for a politics rooted in claims about fundamental changes in the nature of class, race, and gender in an emerging system of world order analogous in its novelty and scope to that created by industrial capitalism; we are living through a movement from an organic, industrial society to a polymorphous, information system--from all work to all play, a deadly game. Simultaneously material and ideological, the dichotomies may be expressed in the following chart of transitions from the comfortable old hierarchical dominations to the scary new networks I have called the informatics of domination:

Traditional system (Modern) Informatics of Domination (Postmodern)
Representation Simulation
Bourgeois novel, realism Science fiction, postmodernism
Organism Biotic Component
Depth, integrity Surface, boundary
Heat Noise
Biology as clinical practice Biology as inscription
Physiology Communications engineering
Small group Subsystem
Perfection Optimization
Eugenics Population Control ....

This list suggests several interesting things.13 First, the objects on the right-hand side cannot be coded as 'natural', a realization that subverts naturalistic coding for the left-hand side as well. We cannot go back ideologically or materially. It's not just that 'God' is dead; so is the 'goddess'. Or both are revivified in the worlds charged with microelectronic and biotechnological politics. In relation to objects like biotic components, one must not think in terms of essential properties, but in terms of design, boundary constraints, rates of flows, systems logics, costs of lowering constraints. Sexual reproduction is one kind of reproductive strategy among many, with costs and benefits as a function of the system environment. (161-162)

The centrality of communication in working this transformation: Communications technologies and biotechnologies are the crucial tools recrafting our bodies. These tools embody and enforce new social relations for women world-wide. Technologies and scientific discourses can be partially understood as formalizations, i.e., as frozen moments, of the fluid social interactions constituting them, but they should also be viewed as instruments for enforcing meanings. The boundary is permeable between tool and myth, instrument and concept, historical systems of social relations and historical anatomies of possible bodies, including objects of knowledge. Indeed, myth and tool mutually constitute each other. Furthermore, communications sciences and modern biologies are constructed by a common move - the translation of the world into a problem of coding, a search for a common language in which all resistance to instrumental control disappears and all heterogeneity can be submitted to disassembly, reassembly, investment, and exchange. In communications sciences, the translation of the world into a problem in coding can be illustrated by looking at cybernetic (feedback-controlled) systems theories applied to telephone technology, computer design, weapons deployment, or data base construction and maintenance. (164)

New geography (of cyberspace)
The old places no longer define, but become a networking matrix for, women: Home, Market, Paid Work Place, State, School, Clinic-Hospital, and Church. Each of these idealized spaces is logically and practically implied in every other locus, perhaps analogous to a holographic photograph. I want to suggest the impact of the social relations mediated and enforced by the new technologies in order to help formulate needed analysis and practical work. However, there is no 'place' for women in these networks, only geometries of difference and contradiction crucial to women's cyborg identities. If we learn how to read these webs of power and social life, we might learn new couplings, new coalitions. (170)

(Non-) Conclusion

A world controlled, or an unintented political opportunity?:
From one perspective, a cyborg world is about the final imposition of a grid of control on the planet, about the final abstraction embodied in a Star Wars apocalypse waged in the name of defence, about the final appropriation of women's bodies in a masculinist orgy of war (Sofia, 1984). From another perspective, a cyborg world might be about lived social and bodily realities in which people are not afraid of their joint kinship with animals and machines, not afraid of permanently partial identities and contradictory standpoints. (154)

Cyborg writing: Writing is pre-eminently the technology of cyborgs, etched surfaces of the late twentieth century. Cyborg politics is the struggle for language and the struggle against perfect communication, against the one code that translates all meaning perfectly, the central dogma of phallogocentrism. That is why cyborg politics insist on noise and advocate pollution, rejoicing in the illegitimate fusions of animal and machine. These are the couplings which make Man and Woman so problematic, subverting the structure of desire, the force imagined to generate language and gender, and so subverting the structure and modes of reproduction of 'Western' idendty, of nature and culture, of mirror and eye, slave and master, body and mind. .,..Feminisms and Marxisms have run aground on Western epistemological imperatives to construct a revolutionary subject from the perspective of a hierarchy of oppressions and/or a latent position of moral superiority, innocence, and greater closeness to nature. With no available original dream of a common language or original symbiosis promising protection from hostile 'masculine' separation, but written into the play of a text that has no finally privileged reading or salvation history, to recognize 'oneself' as fully implicated in the world, frees us of the need to root politics in identification, vanguard parties, purity, and mothering. (176)

Toward cyborg bodies beyond gender: There are several consequences to taking seriously the imagery of cyborgs as other than our enemies. Our bodies, ourselves; bodies are maps of power and identity. Cyborgs are no exception. A cyborg body is not innocent; it was not born in a garden; it does not seek unitary identity and so generate antagonistic dualisms without end (or until the world ends); it takes irony for granted. One is too few, and two is only one possibility. Intense pleasure in skill, machine skill, ceases to be a sin, but an aspect of embodiment. The machine is not an it to be animated, worshipped, and dominated. The machine is us, our processes, an aspect of our embodiment. We can be responsible for machines; they do not dominate or threaten us. We are responsible for boundaries; we are they. Up till now (once upon a time), female embodiment seemed to be given, organic, necessary; and female embodiment seemed to mean skill in mothering and its metaphoric exten-sions. Only by being out of place could we take intense pleasure in machines, and then with excuses that this was organic activity after all, appropriate to females. Cyborgs might consider more seriously the partial, fluid, sometimes aspect of sex and sexual embodiment. Gender might not be global identity after all, even if it has profound historical breadth and depth. (180)

Question for each team: What terms does "A Cyborg Manifesto" offer for developing the issues that drive your research project?