Home Page for Literature & the Culture of Information, Alan Liu, English 25
Notes for Class 12
This page contains materials intended to facilitate class discussion (excerpts from readings, outlines of issues, links to resources, etc.). The materials are not necessarily the same as the instructor's teaching notes and are not designed to represent a full exposition or argument. This page is subject to revision as the instructor finalizes preparation. (Last revised 1/27/01 ) (recommended browser)

Important Point = one of the main points of the lecture
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Some Reference Points for Discussion


Preliminary Class Business

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Deepening and Broadening the Concept of Information:The Historical Approach

  • In studying the role of information in "postindustrial" society as well as "postmodern" art, we have in this course so far taken an extremely presentist approach to information culture. Indeed, we even been futurological—as in the prophecies of Workplace 2000 or The Road Ahead, or the "near-future" science fiction of Neuromancer.

  • The present of information culture is ultimately what we are trying to understand—and it is where this course will end up. But the risk of looking only at the "cutting-edge" present is that:

    • it limits our concept of information (e.g., the notions of information contained in the National Information Infrastructure documents)

    • it exaggerates the "revolutionary" break of the information revolution with the human past (e.g., the thesis of the "New Economy")

    • Cf., John Seely Brown & Paul Duguid, The Social Life of Information, pp. 32-33

  • At this point, therefore, we will take advantage of the fact that this is a humanities course (the special method of the humanities being historical inquiry) to take for a few weeks the opposite tack:

    • a review of the history of information—specifically the history of the past "revolutions" in media and forms of human expression that underlie our contemporary notion of information

    • Guiding questions for this part of the course: What do the well-read (those steeped in the knowledges and literatures of the past) have to teach the well-informed? And how, reciprocally, do the well-informed teach the well-read to resee past knowledges and literatures in a new light (as themselves engagements with information technology and media)?

  • Some works that take a view of the general history of information (histories specifically of 20th-century information technology and media to be covered in later classes):

    • Michael E. Hobart and Zachary S. Schiffman, Information Ages: Literacy, Numeracy, and the Computer Revolution (Baltimore: Johns Hopkins Univ. Press, 1998)
    • Charles Jonscher, The Evolution of Wired Life: From the Alphabet to the Soul-Catcher Chip–How Information Technologies Change Our World (New York: John Wiley & Sons, 1999)
    • Albert Borgmann, Holding On to Reality: The Nature of Information at the Turn of the Millennium (Chicago: U. Chicago Press, 1999)
    • Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" (1936)
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A Rousseauistic Fable: The Ancestral Environment of Information

  • An episode in the instructor's life at Lake Nakuru, Kenya (photos of Lake Nakuru: 1 | 2)

  • Borgmann on the "ancestral environment" of information (pp. 1, 24):

    • A thought experiment intended to help us imagine the prehistorical "origin" of information and then the passage of such originary information into historical forms of information. (Compare Jean-Jacques Rousseau, "Discourse on the Arts and Sciences", 1750).

    • Let's consider the way we were originally "wired" for information, Borgmann says (the individual and social body being our original information "interface"; cf., Gibson's "meat"). The function of the scene of origination is more analytical than empirical (it is a way of beginning to explore the concept of information).
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Borgmann: A General Semiotics For the Study of Information


Locating the Study of Information Amid the Human and Social Sciences:
Some Definitions of Terms


Linguistics: "The study of human speech including the units, nature, structure, and modification of language—compare Philology" (Webster's Ninth New Collegiate Dictionary)

Semiotics: "A general philosophical theory of signs and symbols . . ." (Webster's Ninth New Collegiate Dictionary)

Semiology: "It is therefore possible to conceive of a science which studies the role of signs as a part of social life. . . . We shall call it semiology (from the Greek semeion, 'sign'). It would investigate the nature of signs and the laws governing them" (Ferdinand de Saussure, Course in General Linguistics, p. 15)

Later Disciplines Relevant to Information: Information Theory, Communication Studies, Media Studies, Cognitive Science
  • Borgmann's version of modern semiotic theory (pp. 18, 22):


Intelligence — Person — Sign — Thing — Context

  • Important features of Borgmann's semiotics of information (and its implicit ethics of information):

    • Expansive: the importance of rooting the operation of signs in a wider psychological and social "context") (p. 20)

    • Symmetrical:

      • bilateral symmetry between the realm of cognition [Intelligence-Person] and the realm of being [Thing-Context]

      • the "sign" as the centered pivot-point or interface between the two realms

    • "Orderly" and "Coherent": (pp. 1, 25, 34, 6)

  • Contrast the usual experience of contemporary information:

    • Reductive (concentration on the transmission of "bits" and "packets")
    • Asymmetrical (focus on the "virtual" realm of Person-Sign at the expense of Thing-Context)
    • Disorderly and Incoherent ("random access")
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Borgmann: An Evolutionary Typology of Information


Natural Signs — Conventional Signs — Technological Signs (p. 2)

  • The semiotics of "natural signs" in the "ancestral environment":

    • ThingSign: the iconic relation between "things" and "signs"

      • Signs are things / Things are signs (p. 1) (original meaning of "inform," p. 9)

      • Signs and things alternate roles in an orderly way depending on "focal presence" or "distance" relative to the person (p. 25)

      • In cognitive terms, this means that the relation between "direct" and "indirect" information is well-ordered (pp. 17, 15)

    • "The eloquence of things"

      • A "well-ordered" world of information is one in which the "balance" between the realms of Persons-Intelligence [consciousness] and Things-Context [being] around the interface of Signs means that the world has as much to say as human beings (p. 29)


  • The semiotics of "conventional" or "cultural" signs:

    • Thing/Sign:

      • Signs refer to things. Signs no longer (primarily) are things (p. 1)


        • Conventional signs "stand out" from the world of things (e.g., a cairn). Put another way, this means that a conventional sign's meaning "exceeds what can be gleaned from its surroundings" (p. 30) Indeed, in conventional signs there is an inverse proportion between "meaning" and "thingness" (pp. 36-37) Conventional signs thus always give "indirect knowledge"

        • Conventional signs can be made detachable from things and thus rendered portable (p. 1)

        • Conventional signs require the social support, education, and mental discipline to compensate for their distance from things (p. 37)

    • The Increasing Eloquence of Persons

      • More signs; signs about signs (p. 10)


  • The semiotics of "technological" signs:

    • Sign instead of Thing

      • Technological signs refer to things ever more indirectly from an increased distance (the age of "tele"-information: telegraphy, telephone, radio, television, satellite and fiber-optic telecom, wide-area networks or WANs, etc.)

      • Technological signs are ultra-detachable and -portable (especially in the transition from analog to digital information; age of mobile computing and telecom)

      • Technological signs become reality (p. 2). In the digital era, this happens through the common reduction of signs and things to bits.

  • The Eloquence of Media (Marshall McLuhan: "the medium is the message"; Jean Baudrillard, "simulation")
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Borgmann: A History of Information


Orality — (Numeracy) — Literacy — Information Society
(the theory and typology of semiosis embedded in a history of culture)

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Next lecture: Goldsworthy, Riven, and Benjamin

  • The continued relevance of the "ancestral environment" of "natural signs" in technological and digital information culture (the examples of Andy Goldsworthy's art and Rand and Robyn Miller's Riven)

  • Walter Benjamin on the loss of nature's and tradition's "aura" in the "age of mechanical reproduction"
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References

  • Michael Dertouzos, What Will Be: How the New World of Information Will Change Our Lives (New York: HarperEdge / HarperCollins, 1998)
  • Bill Gates, The Road Ahead, rev. ed. (New York: Penguin, 1996)
  • Michael E. Hobart and Zachary S. Schiffman, Information Ages: Literacy, Numeracy, and the Computer Revolution (Baltimore: Johns Hopkins Univ. Press, 1998)
  • Charles Jonscher, The Evolution of Wired Life: From the Alphabet to the Soul-Catcher Chip–How Information Technologies Change Our World (New York: John Wiley & Sons, 1999)
  • Ferdinand de Saussure, Course in General Linguistics, ed. Charles Bally and Albert Sechehaye, trans. Roy Harris (La Salle, Illinois: Open Court, 1986)

Related Links Supplementary links for this class on Study Materials page

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These class notes are for a course in the Transcriptions Project | Page content by Alan Liu | 2/26/01 | [Top]