
Study Materials
Required Readings
(Outline numbers below are for ease of reference only; see Schedule
for order of readings)
|
A.
Required Books Available at UCSB Bookstore
| |
Links
in this section are to descriptions on the Amazon.com site.
(Policy
statement on links to commercial sites.) |
|
|
B. Required
Course Reader Available at the Alternative Copy Shop
(Contents in Alphabetical
Order)
|
|
- Gilles Deleuze and Félix Guattari, A Thousand Plateaus
(1980), pp. 3-38
- Fredric Jameson, "Postmodernism and Consumer Society"
(1982)
- Fredric Jameson, Postmodernism, or The Cultural Logic of
Late Capitalism (1991), pp. 38-45, 107-29
- Friedrich A. Kittler, Discourse Networks, 1800/1900
(1985), pp. xii-xviii from David Wellbury's "Foreword"
and pp. 206-229 from "The Great Lalula"
|
|
C. Works To
Be Purchased on Diskette or CD-ROM
|
- M.D. Coverley (Marjorie C. Luesebrink), Califia (2000)
(purchase
from Eastgate)
- Shelley Jackson, Patchwork Girl (1996) (purchase
from Eastgate)
- Michael Joyce, afternoon, a story (1986) (purchase
from Eastgate)
- Rand and Robyn Miller, Riven (purchase
a copy or play one of the copies on the machines in the Transcriptions
studio)
Note: The Transcriptions Studio recently purchased a single copy
of every work in the Eastgate Systems, Inc. catalogue. These have
been installed and may be used by one user at a time. Students in
the course are encouraged to come in and browse. |
|
D. Required
Online Works
(Contents in Alphabetical
Order)
|
|
- Mark Amerika, Grammatron
- Beyond
Interface: Net Art and Art on the Net
- Ed Falco, Self
Portrait With Father (1999)
- William Gibson, Agrippa
(A Book of the Dead (1992)
- Carolyn Guertin, Queen
Bees and the Hum of the Hive
- Michael Joyce and Carolyn Guyer, Lasting
Image (2000)
- Raine Koskimaa, "Visual
Structuring of Hypertext Fiction" (1997/98)
- Deena Larsen, Bubbles
- Olia Lialina, My
Boyfriend Came Back From the War (1996)
- Stuart Moulthrop, Reagan's
Library
- Ted Nelson on "Link
Types" (excerpt from his Literary Machines,
1981)
- Barry Smylie and Alan Sondheim, Sailing
- Karen Steigman, "Hypertext
and Spatial Consciousness" (1999)
- John Updike, "Books
Unbound, Life Unraveled," orig. pub. in New York Times,
Op-Ed Week in Review Section, 18 June 2000: 15
- William Wordsworth, "Tintern
Abbey" (1798)
|
|
Supplementary
Resources
The following is just the
beginning of a compendium of additional resources. Students
in the course (and visitors from elsewhere) are encouraged
to suggest additional resources by e-mailing the instructor.
The idea is to build a limited, highly selective set of supplementary
materials.
|
General Resources on Hypertext
Literature
- Stuart Moulthrop, "A
Subjective Chronology of Literary Hypertext"
- Electronic
Literature Directory (the Electronic Literature Organization's
extensive database of authors, works, genres, and publishers
of electronic literature)
- Eastgate Systems,
Inc.
- Eastgate
Reading Room
- Carolyn Guertin and Marjorie Coverley Luesebrink, The
Progressive Dinner Party (2000) ("tour of
the works of women who write hypertext and hypermedia
literature on the WWW")
- Carolyn Guertin, Queen
Bees and the Hum of the Hive: An Overview of Feminist
Hypertext's Subversive Honeycombings (1998)
- Carolyn
Guyer's Web Hyperfiction Reading List (1995)
- Hypernova
Hypertext
- Janet
H. Murray's Resource Page for Hamlet on the Holodeck
- Rita Raley, Hypermarks
("an index of online fiction, poetry, installations
hypertext/ually (in)formed")
- Sarah Fordham Sharpe, Hypertext
Fiction
- Michael Shumate, Hyperizons
(extensive guide to hypertext and hyperliterature)
- Scott Stebelman, "Hypertext
and Hypermedia: A Select Bibliography"
- SocioSite
Page on Hypertext and Hypermedia
- VoS
Resources on Hypertext Research & Theory
- Transcriptions
Annotated Guide to Hypertext Literature
|
|
Hypertext Theory, Recent Research on Hypertext
Literature
Selected Canonical Texts of Hypertext Theory:
- Vannevar Bush, "As
We May Think," Atlantic Monthly, July
1945
- Ted Nelson, Literary
Machines (1981) (online excerpts published by
Feed) | "Ted
Nelson and Xanadu" (Electronic Labyrinth)
- George P. Landow, Hypertext 2.0: The Convergence
of Contemporary Critical Theory and Technology (1997)
[first version of this book published 1992] For online
excerpts, see: Hypertext:
The Convergence of Contemporary Critical Theory and Technology
(chap. 1) &
"Hypertext: An Overview"
- Jerome McGann, "The
Rationale of Hypertext"
Selected Criticism of Hypertext Literature
- Jan Van Looy, Hypertext:
A Select Bibliography (1998)
- Franco Minganti, "Updating
(Electronic) Storytelling" (1997)
- Michael Shumate, "Hypertext
Fiction on the Web" (1996)
State-of-the-Art Research and News on Hypertext Literature:
- Deena Larsen and Peter J. Nürnberg, ed., Proceedings
of the CyberMountain Colloquium (1999)
- Hypertext
Kitchen
|
| Hypertext Literature Courses (courses
with substantial or interesting online content)
|
Class 1
- Class 1: Introduction
|
|
|
Related
Transcriptions Courses
|
|
Guides and
FAQs
J. Guides
to Online Research
- Transcriptions
Annotated Guide to Hypertext Literature (esp. for
Eastgate publications available for one user at a time
in the Transcriptions studio)
- Online
Research Resources (library catalogues, digital
text archives, periodical indices, etc.; includes both
general-access and UCSB-only resources)
- Online
Reference Resources (dictionaries, thesauri, atlases,
encyclopedias, etc.)
- Online
Resources for Writing and Speaking (grammer and
style guides, writing tips, advice on oral presentations,
etc.)
- Evaluating
& Citing Online Resources (checklists, exercises,
examples, and annotated links; also includes a printable
form to use in tracking and evaluating online sites)
|
K.
Guides to Technology in Transcriptions Courses (see Technology
overview)
- Web-Authoring
Basics (basic outline of the process required
to download, revise, and upload web pages associated
with Transcriptions courses)
- Resources
for Web-Authoring (design and how-to advice for
both beginning and advanced Web authors; includes
links to HTML and design style guides, help with images,
and examples of good and bad design)
|
|
|