
Study Materials
Required Readings
(Outline numbers below are for ease of reference only; see Schedule
for order of readings)
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A.
Required Books Available at UCSB Bookstore
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Links
in this section are to descriptions on the Amazon.com site.
(Policy
statement on links to commercial sites.) |
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- Albert Borgmann, Holding
on to Reality: The Nature of Information at the Turn of the
Millennium (U. Chicago Press, 1999)
- Joseph H. Boyett and Henry P. Conn, Workplace
2000: The Revolution Reshaping American Business (Penguin,
1991)
- Manuel Castells, The
Rise of the Network Society, Vol. 1 of The
Information Age: Economy, Society and Culture (Blackwell,
1996)
- Timothy Druckrey, Electronic
Culture: Technology and Visual Representation (Aperture,
1996)
- Steven Johnson, Interface
Culture: How New Technology Transforms the Way We Create and
Communicate (HarperCollins, 1997)
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B. Required
Course Reader Available at the Alternative Copy Shop
(Contents in Alphabetical
Order)
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- Jean Baudrillard, "Requiem for the Media," in For a Critique
of the Political Economy of the Sign (Telos, 1981)
- Daniel Bell, The Coming of Post-Industrial Society: A Venture
in Social Forecasting (New York: Basic, 1973), excerpt
- Jay David Bolter and Richard Grusin, Remediation: Understanding
New Media (MIT Press, 1999), excerpt
- Cleanth Brooks, "The Heresy of Paraphrase," in The
Well Wrought Urn: Studies in the Structure of Poetry (Harcourt
Brace Jovanovich, 1947, 1975) [rpt. in Hazard Adams, ed., Critical
Theory Since Plato, rev. ed. (Harcourt Brace Jovanovich,
1992)]
- William H. Davidow and Michael S. Malone, The Virtual Corporation
(1992), excerpt
- Johanna Drucker, The Visible Word: Experimental Typography
and Modern Art, 1909-1923 (1994), excerpt
- Peter F. Drucker, Post-Capitalist Society (New York:
HarperBusiness / HarperCollins, 1993), excerpt
- Donna J. Haraway, "The Biopolitics of Postmodern Bodies: Constitutions
of Self in Immune System Discourse," in Simians, Cyborgs, and
Women: The Reinvention of Nature (New York: Routledge, 1991),
pp. 203-30
- Michael E. Hobart & Zachary S. Schiffman, "Orality
and the Problem of Memory," in Information Ages: Literacy,
Numeracy, and the Computer Revolution (Johns Hopkins UP,
1998), excerpt [book is also on 1-day reserve at the library]
- William Gibson, "Academy Leader," in Michael Benedikt,
ed., Cyberspace: First Steps (Cambridge, Mass.: MIT Press,
1991), pp. 27-29
- George P. Landow, Hypertext 2.0: The Convergence of Contemporary
Critical Theory and Technology (Baltimore: Johns Hopkins
Univ. Press, 1997), excerpt
- Brenda Laurel, Computers as Theatre (Reading, Mass.:
Addison-Wesley, 1993, 1991), excerpt
- Marshall McLuhan, "The Medium is the Message" and
"Media Hot and Cold" (1964)
- Walter J. Ong, Orality and Literacy: The Technologizing
of the Word (London: Methuen, 1982), excerpt
- Donn P. Parker, Fighting Computer Crime: A New Framework
for Protecting Information (New York: John Wiley & Sons,
1998), excerpt
- Robert B. Reich, The Work of Nations: Preparing Ourselves
for 21st-Century Capitalism (New York: Random House, 1992),
excerpt
- Peter Senge, The Fifth Discipline: The Art and Practice
of the Learning Organization (Doubleday, 1990), excerpt
- Jonathan Steur, "Defining Virtual Reality," Journal
of Communication 42 (1992): 79-90
- Jan Tschichold, The New Typography (1928), excerpt
- Warren Weaver, "Recent Contributions to the Mathematical
Theory of Communication" (1949), excerpt
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C. Required
Online Works
(Contents in Alphabetical
Order)
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- Walter Benjamin, "The
Work of Art in the Age of Mechanical Reproduction" (1936)
- Daniel Chandler, "The
Transmission Model of Communication" (1994)
- Roger Chartier, The Cultural
Uses of Print in Early Modern France
(1987), pp. 158-67, 180-82
- M.D. Coverley, Fibonacci's
Daughter
- Critical Art Ensemble, The
Electronic Disturbance (1994), Chaps. 2, 4, 5
- William Gibson, Agrippa
(A Book of the Dead) (1992)
- Andy Goldsworthy's "land art" (photos
and selected
text) (password needed; restricted to students
in this course)
- Matt Kirschenbaum, "A
White Paper on Information" (1998)
- Raine Koskimaa, "Visual
Structuring of Hyperfiction Narratives" (1997)
- Stuart Moulthrop (U. Baltimore), "The
Shadow of an Informand: An Experiment in Hypertext Rhetoric"
(1992-94)
- Archibald MacLeish, "Ars
Poetica" (1926)
- Plato, from Phaedrus
(do a search in the text and begin reading at the sentence:
"Shall we discuss the rules of writing and speech as we
were proposing?")
- Joseph A. Schumpeter, Capitalism,
Socialism and Democracy
(1942), pp. 82-84 (on "creative destruction")
- Winn Schwartau, Information
Warfare, p. 33
- Claude E. Shannon, "The
Mathematical Theory of Communication" (1948), pp. 3-6
- Bruce Sterling, Hacker Crackdown (1992/1994), Section
2.2 (Full text of the book available here)
- Willam Wordsworth, "Tintern
Abbey" (1798)
- Steven Wray, "The
Electronic Disturbance Theater and Electronic Civil Disobedience"
(1998)
- Shoshanna Zuboff, excerpts
on the "overview" and "vision" enabled by
computing from In the Age of the Smart Machine
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Supplementary
Resources
The following is just the
beginning of a compendium of additional resources. Students
in the course (and visitors from elsewhere) are encouraged
to suggest additional resources by e-mailing the instructor.
The idea is to build a limited, highly selective set of supplementary
materials.
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D. (Classes
1-4) The Age of Knowledge Work
- Class 1: Introduction
- Class 2: "Learning Organizations"
- Class 3: "Networked Enterprise"
- Class 4: "Symbolic Analysts"
- Alvin W. Gouldner, The Future of Intellectuals
and the Rise of the New Class: A Frame of Reference,
Theses, Conjectures, Arguments, and an Historical
Perspective on the Role of Intellectuals and Intelligentsia
in the International Class Contest of the Modern Era
(New York: Seabury, 1979)
- Barbara Ehrenreich and John Ehrenreich, "The Professional-Managerial
Class," in Pat Walker, ed., Between Labor and Capital:
The Professional Managerial Class (Boston: South
End, 1979)
- Bruce Robbins, Secular Vocations: Intellectuals,
Professionalism, Culture (New York: Verso, 1993)
- Palinurus:
The Academy and the Corporation -- Teaching the Humanities
in a Restructured Age (Alan Liu); see esp.
- Suggested Readings > The
Idea of Business > Postindustrial Business
Principles > Postindustrial Business Principles
> Professional / Managerial / Technical "New
Class"
- Suggested Readings > The
Idea of Business > Postindustrial Business
Principles > Postindustrial Business Principles
> Knowledge Work, Knowledge Management, Learning
Organizations
- Suggested Readings > Academe
and Business
- Suggested Readings > The
Idea of the University
- Suggested Readings > The
Idea of the University > Intellectuals
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E. (Classes
6-11) Introduction to the Prehistory
& History of Information
- Class 6: From Nature to Information
- Michael E. Hobart & Zachary S. Schiffman, "Information
Present and Past," in Information Ages: Literacy,
Numeracy, and the Computer Revolution (Johns Hopkins
UP, 1998), pp. 1-8
- Smithsonian Magazine, "Searching
for the Window into Nature's Soul" (1997)
(includes images)
- "Art
& Ecology: Ecological Art Galleries: Andy Goldsworthy"
(online exhibition of some images) (ArtsEdNet, J.
Paul Getty Trust)
- Nature
and Nature: Andy Goldsworthy (Mpeg and Realmedia
videos) (Roland Collection of Films & Videos on
Art)
- Andy
Goldsworthy Page (brief intro, some images, quotes
from Goldsworthy) (Center for Global Environmental
Education, Hamline U. Graduate School of Education,
St. Paul, Minn.)
- Andy
Goldsworth Page (brief intro and some links to
images) (Christopher L.C.E. Witcombe, Sweet Briar
C., Virginia)
- Andy Goldsworthy, Andy Goldsworthy: A Collaboration
with Nature (New York: Harry N. Abrams, 1990)
- Robert Rosenblum, et al., The New Romantics,
Art & Design Profile Series, ed. Andreas C. Papdakis
(London: Academy Group Ltd., 1988)
- Goldsworthy
Bibliography (Matthias Behrens)
- [Tom Troney, "A
Walk in the Park with Andy Goldsworthy" (short
poem about Goldsworthy)]
- Class 7 (continued)
- Herbert Marcuse, "Some Social Implications of Modern
Technology," in Andrew Arato and Eike Gebhardt, ed.,
The Essential Frankfurt School Reader (New
York: Continuum, 1988)
- Julian H. Scaff, "Art
& Authenticity in the Age of Digital Reproduction"
- Walter Benjamin, The
Arcades Project, trans. Howard Eiland and Kevin
McLaughlin (Belknap, 1999) (Amazon.com
page on the book)
- Suan Buck-Morss, The Dialectics of Seeing: Walter
Benjamin and the Arcades Project (Cambridge, Mass.:
MIT Press, 1989)
- VoS Resources on Frankfurt
School
- Vos Resources on Benjamin
- Class 9: SPEAKING, WRITING, READING,
INFORMING
- Class 10: (continued)
- Class 11: (continued)
- VoS
Resources on Hypertext Research & Theory
- Vannevar Bush, "As
We May Think" (1945)
- Ted Nelson, Prophet of
Hypertext
- Michael
Joyce's Home Page
- M.D.
Coverley (Marjorie Luesbrink)
- Raine Koskimaa
- Stuart
Moulthrop's Home Page(s)
- Stuart Moulthrop, "Rhizome and Resistance:
Hypertext and the Dreams of a New Culture," in
George P. Landow, ed., Hyper/Text/Theory (Johns
Hopkins UP, 1994), pp. 299-319
- Feed
(Steven Johnson, Editor-in-Chief)
- Scott Stebelman, "Hypertext
and Hypermedia: A Select Bibliography"
- Alan Liu, Voice of the Shuttle Technology
of Writing Page & Cyberculture
Page
- Some of Alan Liu's pages experimenting with or thinking
about the concept of the link:
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F. (Classes
13-19) Acts of Information, 1948-2000
- Class 13: Communicating
- Class 14: Mediating
- Class 15: (continued)
- Class 16: Interfacing (Seeing/Designing)
- Class 17: (continued)
- Matthew G. Kirschenbaum, "Machine
Visions: Towards a Poetics of Artificial Intelligence"
(1997/98) (Electronic Book Review)
- Richard A. Lanham, "Digital Rhetoric and the
Digital Arts," in The Electronic Word: Democracy,
Technology, and the Arts (Chicago UP, 1993)
- Martina E. Linnemann, "Out
is In, Off the Page/ Now Online - Cool" (1997-98)
(on Ronald Sukenick and the typographical novel in
the age of digital media) (EBR: Electronic Book
Review)
- Mitchell Stephens, The Rise of the Image the
Fall of the Word (Oxford UP, 1998), pp. 176-203
(on the "new video and "complex seeing")
- Class 18: Simulating
- Class 19: Securing
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G. (Class
20) Art 2000
- Class 20: The Strange Web: Art,
Hacking, Terrorism
- Pierre Bourdieu, Distinction:
A Social Critique of the Judgement of Taste,
trans. Richard Nice (Cambridge, Mass.: Harvard Univ.
Press, 1984)
- "Cybercrime . . .
Cyberterrorism . . . Cyberwarfare . . ."
(Center for Strategic & International Studies)
- Hacker's
Hall of Fame (Michelle Slatalla)
- Hackers.Com
- Mp3.com
- Tim Murray
- "Digital
Incompossibility," Part I, Part
II (2000) (theoretical essay on art and historicity
in the digital age; includes analyses of work
on CD-ROM by five artsts) (CTheory)
- Contact
Zones: The Art of the CD-ROM (site for an
exhibit of CD-ROM art focusing on a post-avant-garde
digital artistic sensibility; from the rationale
statment:
"Practices of artistic appropriation,
collage, and montage have been heightened by digital
possibilities of overlapping, juxtaposing, and
morphing complex sequences from visual and aural
history. . . . Indeed, the new
media has been embraced by a wide variety of activist
artists, from feminists to cyberpirates, from
African-American activists in the United States
to Aboriginal artists in Australia and North America,
for its capability to cross previously sequestered
intellectual and material platforms and boundaries
with welcome speed and agility. Very much unlike
many of the iniatives undertaken earlier by the
historical avant-garde, moreover, these digital
projects tend to be shaped for presentation out
in the open, in the public and mass spheres of
cinema, music video, dance clubs, and the web.
And rather than position themselves as privileged
prophets the future, the avant-garde, many artists
working within the new media confront the reality
that what once was thought to be the electronic
future is the enigmatic NOW. One result is a refined
relation to both the past as something not simply
understood and regressive, to be cut off or cast
aside for the sake of avant-garde progress, but
rather as something wonderfully cryptic, if not
also deeply troubling and traumatic, to be brought
into critical dialogue with the present for the
sake of shaping personal, political, and social
paradigms that might help inform the rapid expansions
of the technofuture. The new media thus provides
artists with an opportunity to incorporate old
and problematic tales and histories in the context
of their contemporary conceptualization or revisualization.
")
- Lawrence Biemiller, "A
Computer Scientist Uses His Art to Question the Embrace
of Technology" (article on Ken Goldberg's
robotic art) (Chronicle of Higher Education,
17 March 2000)
- Richard Leiby, "The
Fine Art of Compromise EToys Seeks Peace in Trademark
Battle With Artists' Web Site" (Washington
Post, 31 Dec. 1999, p. E03)
- David Noble, The
Religion of Technology: The Divinity of Man and the
Spirit of Invention (New York: Penguin, 1997)
- Sherry Turkle, Life
on the Screen: Identity in the Age of the Internet
(New York: Simon & Schuster, 1995)
- On
the Net: Resources in Virtual Reality (Knowledge
Base Project)
- VoS
Resources on Interface Theory
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Related
Courses
- H.
Transcriptions Courses [Under Construction]
- I. Other
Courses
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Guides and
FAQs
J. Guides
to Online Research
- Online
Research Resources (library catalogues, digital
text archives, periodical indices, etc.; includes both
general-access and UCSB-only resources)
- Online
Reference Resources (dictionaries, thesauri, atlases,
encyclopedias, etc.)
- Online
Resources for Writing and Speaking (grammer and
style guides, writing tips, advice on oral presentations,
etc.)
- Evaluating
& Citing Online Resources (checklists, exercises,
examples, and annotated links; also includes a printable
form to use in tracking and evaluating online sites)
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K.
Guides to Technology in Transcriptions Courses (see Technology
overview)
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