Home Page for Literature & the Culture of Information, Alan Liu, English 25
Notes for Class 7
This page contains materials intended to facilitate class discussion (excerpts from readings, outlines of issues, links to resources, etc.). The materials are not necessarily the same as the instructor's teaching notes and are not designed to represent a full exposition or argument. This page is subject to revision as the instructor finalizes preparation. (Last revised 11/18/03 ) (recommended browser)

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Some Reference Points for Discussion


Preliminary Class Business

  • Web-authoring workshop, Thur. April 26th, 3:30-5
    Added: Alternate workshop, Fri. April 27th, noon-1:30

  • Tech-support Drop-In Hours in South Hall 2509:
            Jennifer Jones: Tue., Thur., 9:30-11:30 am
            Eric Weitzel: W 9-11 am, F 1-3 pm

  • Class next time: be prepared to give your views of works you liked and disliked
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Encountering the Mechanism: Some Examples to Introduce the Issue

Web Pages that Look Like Print Media:

The example of John Milton's Paradise Lost
(from class 5 notes)

NY Times

The Media and Communication Studies Site (Daniel Chandler)

Robert Adlington (English Dept. graduate student, UCSB), Magic Book

Web Pages that Look Like Other Media or Technologies:

Wurlitzer Co.

Wendy Chun, Media Studies Dept., Brown U. (Home Page)

Speed 1.3

eXistenZ Site
        (for plot of movie, see Alan Liu's mini-review)

Web Pages that Foreground the Interface of the Computer:

Ode to Lynx

The Matrix Site
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Materialities of Communication

By Way of Contrast:

Vannevar Bush, "As We May Think" on "creative" vs. "mechanical" (1 | 2 | 3)

The "Schriftlichkeitsgeschichte" or "Materialities of Communication" Movement:

  • Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, ed., Materialities of Communication, trans. William Whobrey (Stanford: Stanford Univ. Press, 1994)

  • Ivan Illich, In the Vineyard of the Text: A Commentary to Hugh's "Didascalion" (Chicago: Univ. of Chicago Press, 1993)

  • Friedrich A. Kittler, Discourse Networks, 1800/1900, trans. Michael Metteer with Chris Cullens (Stanford: Stanford Univ. Press, 1990)

 


Literary and Artistic Analogues:

Christian Morgenstern, "The Great Lalula" (from Gallows Songs, 1905):

Kroklokwafzi? Semememi!
Seiokrontro—prafriplo:
Bifzi, bafzi; julalemi:
quasti basti bo . . .

Hontraruru miromente
zasku zes rü rü?
Entepente, leiolente
klekwapufzi lü?
Lalu lalu lalu lalu la!

Simarar kos malzipempu
silzuzankunkrei (;)!
Marjomar dos: Quempu Lempu
Siri Suri Sei [ ]!
Lalu lalu lalu lalu la!

Charles Bernstein, "You" (1983):

Time wounds all heals, spills through
with echoes neither idea nor lair
can jam. The door of your unfolding
starts like intervening vacuum, lush
refer to accidence or chance of
lachrymose fixation made
mercurial as the tors in crevice lock
dried up like river made the rhymes
to know what ocean were unkempt
or hide's detain the wean of
hide's felicity depend.

William Gibson, Agrippa (A Book of the Dead) (1992)

  • Agrippa's physical form: Peter Schwenger, "Agrippa, or, The Apocalyptic Book," South Atlantic Quarterly 92 (1994): 617-18:

    Photo of Agrippa art book
    Photo by Megan Boody; reproduced here temporarily for use in instruction
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Other Topics That May Come Up in Class

Perpective Painting Resources


"Remediation"

Jay David Bolter and Richard Grusin, Remediation: Understanding New Media (Cambridge, Mass.: MIT Press, 1999)


The "Posthuman"

  • N. Katherine Hayles, on her book How We Became Posthuman, 1999 (in an online interview):

    "For now, however, let me concentrate on the transformation from the human to the posthuman. Recent research programs in computer science, cognitive sciences, artificial life and artificial intelligence have argued for a view of the human so different from that which emerged from the Enlightenment that it can appropriately be called "posthuman." Whereas the human has traditionally been associated with consciousness, rationality, free will, autonomous agency, and the right of the subject to possess himself, the posthuman sees human behavior as the result of a number of autonomous agents running their programs more or less independently of one another. Complex behavior in this view is an emergent property that arises when these programs, each fairly simple in itself, begin reacting with one another. Consciousness, long regarded as the seat of identity, in this model is relegated to an "epiphenomenon." Agency still exists, but it is distributed and largely unconscious, or at least a-conscious.

    The effect of these changed views is to envision the human in terms that make it much more like an intelligent machine, which allows the human to be more easily spliced into distributed cognitive systems where part of the intelligence resides in the human, part in a variety of intelligent machines, and part in the interfaces through which they interact. At the same time, intelligent agent programs are being developed using "emotional computing" techniques that allow these artificial systems to respond to unexpected situations in ways that more closely resemble human responses."

  • Marvin Minsky, The Society of Mind (New York: Simon and Schuster, 1986)

    Marvin Minsky and Harry Harrison, The Turing Option (New York: Warner Books, 1992)

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References

  • Jay David Bolter and Richard Grusin, Remediation: Understanding New Media (Cambridge, Mass.: MIT Press, 1999)

  • Vannevar Bush, "As We May Think" (July 1945) (Atlantic Monthly)

  • Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, ed., Materialities of Communication, trans. William Whobrey (Stanford: Stanford Univ. Press, 1994)

  • Ivan Illich, In the Vineyard of the Text: A Commentary to Hugh's "Didascalion" (Chicago: Univ. of Chicago Press, 1993)

  • Steven Johnson, Interface Culture: How New Technology Transforms the Way We Create and Communicate (San Francisco/New York: HarperCollins, 1997)

  • N. Katherine Hayles, How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics (Chicago: U. Chicago Press, 1999)

  • Friedrich A. Kittler, Discourse Networks, 1800/1900, trans. Michael Metteer with Chris Cullens (Stanford: Stanford Univ. Press, 1990)

  • Marvin Minsky, The Society of Mind (New York: Simon and Schuster, 1986)

    Marvin Minsky and Harry Harrison, The Turing Option (New York: Warner Books, 1992)

  • Peter Schwenger, "Agrippa, or, The Apocalyptic Book," South Atlantic Quarterly 92 (1994): 617-26


Related Links Supplementary links for this class on Study Materials page

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